ABOUT US
Gail Ablow, Co-Director/Producer

Peter Bull, Co-Director/Producer

Gail Ablow is a writer, director, and producer with a long history of producing documentaries, long-form television, and multimedia. For many years Gail was a staff writer, long-form, and documentary producer for Bill Moyers, earning 3 Emmy nominations for On Our Own Terms: Moyers on Dying in America, LBJ’s Path to War, and an interview with Rep. Henry Waxman. Her short documentary, American Beat: Cops and Refugees Join Forces in Boise, was broadcast on PBS World in 2018, and won a 2018 NW Regional Emmy. She helped launch the PBS series, Family Pictures USA in 2019. At ABC News, her documentary work was recognized with a Cine Golden Eagle Award for The Century: America’s Time, Shell Shock, and, working with director Peter Bull, an Edward R. Murrow Award for Turning Point: When Children Accuse, Who to Believe? Gail earned her master’s degree from Columbia University’s Graduate School of Journalism and her undergraduate degree from Harvard College. She was a John S. Knight Fellow at Stanford University, and a Carnegie Visiting Media Fellow. GailAblow.net
Peter Bull is a documentary filmmaker and a four-time Emmy-winning writer/producer/director of documentaries for public, network and cable television. He helped launch the PBS weekly public affairs program NOW with Bill Moyers as senior producer, a role he also played on the CBS series Whistleblower and on the prizewinning ABC News series, Hopkins 24/7. Over a long career, he has specialized in producing and directing compelling nonfiction environmental, historical, and political narratives. He wrote and directed a 90-minute feature documentary film, Dirty Business: ‘Clean Coal’ and the Battle for Our Energy Future in collaboration with the Center for Investigative Reporting (CIR), which premiered at the Full Frame documentary festival. Also, in collaboration with CIR, he wrote and produced Hot Politics for the PBS series Frontline, about the politics of climate change. Other credits include directing Earth, episode four of the Netflix series Cooked with author Michael Pollan, and he wrote and produced Redefining War, the concluding hour of the PBS series Women, War & Peace. Peter earned his MFA at the Visual Arts Dept. at U.C. San Diego and his BA at Yale. In addition to his four News & Documentary Emmys, he earned DuPont/Columbia, Edward R. Murrow, Overseas Press Club, Cine Golden Eagle, and Christopher Awards, among others.
Max Esposito, Director of Photography

Max Esposito is a director of documentaries and commercials, as well as a photographer. His documentary work is inspired by unexpected human interest stories and pressing social issues. His most recent documentary, Flashpoint, was acquired by the LA Times’ Oscar-winning Short Docs series and commissioned by the Knight First Amendment Institute at Columbia University. Flashpoint focuses on the tension between law enforcement and journalists covering protests in the United States. His documentary, Paper Lanterns, influenced the historic meeting of former President Obama and the subject of the film, Shigeaki Mori, a Japanese atomic bomb survivor and historian who uncovered the plight of 12 American POWs that were in Hiroshima when the atomic bomb was detonated. Max’s films have screened at the MFA Boston, The United Nations headquarters, and been featured in TED Talks. His social impact work focusing on veterans was recognized with a Citation of Merit from the Massachusetts House of Representatives, his Ad Council PSA advocating for early STEM education in women was recognized by Google at SXSW, and in 2020 he was given unprecedented access to document a Covid-19 ICU. Commercially, Max has directed ad campaigns for Google, Jack Daniels, DraftKings, Dunkin’, Liberty Mutual, Aetna, Fidelity Investments, New Balance, and Reebok among others. Max has lectured on visual storytelling at his alma mater, Boston University, where he was also a member of the university’s Division I Track and Field program. www.maxesposito.com
Mara Wollong, Editor

Mara Wollong is a film editor based in New York City. Her storytelling experience spans more than 20 years, during which she has worked in myriad formats, styles, and media. Her work has appeared on most broadcast and cable networks, streaming platforms, as well as theatrically. Mara has edited for acclaimed filmmakers such as Martin Scorsese, Alex Gibney, and Nancy Schwartzman, among others. She also directs and produces; her short film Studio with a View recently completed its festival run by kicking off the 2024 Queens World Film Festival at legendary Kaufman Astoria Studios. Mara loves experimenting with different forms of storytelling and is drawn to narratives centering social, political, and economic issues. She is excited to play a part in recovering Anna Rosenberg's story. www.stcprod.com
Prudence Arndt, Archival Producer

Prudence Arndt has 30 years of experience unearthing compelling media for documentaries including I Am Not Your Negro, (Raoul Peck and Oscar nomination) and Project Nim (James Marsh, BAFTA and Sundance winner). In 2015, 2016 and 2018 respectively, Arndt received FOCAL’s international research awards for her work on Free to Run, Regarding Susan Sontag, and I Am Not Your Negro. She began her career as Associate Producer on the landmark civil rights series, Eyes on the Prize (Oscar nomination and winner of Peabody, Emmy, and DuPont awards). She produced and directed for Frontline, American Experience and WNET before turning to archival work. Partial credit list includes: WEB Du Bois (in production for PBS); Turning Point: The Bomb and the Cold War (Netflix series); The Universe in a Grain of Sand, Georgia O'Keeffe: The Brightness of Light (PBS, 2024); Brennan Center for Justice (PSA's); The Five Demands (CCNY strike); The Kings (Showtime series); The Day Iceland Stood Still; The Opera House (Susan Froemke); Lifeline: Clifford Still; Tell Them We Are Rising: The Story of Black Colleges and Universities (Stanley Nelson & Marco Williams); Jewish Museum of Tolerance, Moscow, 2012 (film and interactive exhibit research); Brother Outsider: The Life of Bayard Rustin (POV).
Eleanor Levine, Associate Editor

Eleanor Levine is a Massachusetts-based songwriter and documentary film professional who has worked as an associate editor, associate producer and archival producer on projects with Florentine Films, Rita Coburn Media Productions, Stick Figure Productions, and WNET. These documentaries have been shown on platforms including PBS American Masters and Paramount+. Most recently she worked as assistant editor with award-winning director Larry Hott on PBS documentary Niagara Movement: the Early Battle for Civil Rights, and as archival researcher on the Stick Figure Productions' film Satisfied about Broadway's Hamilton sensation Renee Elise-Goldsberry which premiered at Tribeca Film Festival. Levine’s own short films have screened at twelve film festivals across the country and won awards in four. www.eleanorlevine.com
Chloe Evangelista, Animator

Chloe Evangelista graduated from Pratt Institute in 2022 with a degree in Digital Arts - 2D Animation. Her surreal, rotoscoped thesis film “ASK AGAIN LATER” was recognized as a finalist in the 2022 Student Academy awards in the Alternative/ Experimental category. She has since painted several public murals around her home state of New Jersey, and owns her own small retail business in her favorite place on earth, Asbury Park. chloeevangelista10.wixsite.com/my-site
Advisors & Contributors

Pamela Nadell, American University
American Jewish and Women's History
Pamela S. Nadell holds the Patrick Clendenen Chair in Women's and Gender History and is Director of the Jewish Studies Program. A specialist in American Jewish history and women’s history, she teaches a variety of courses in Jewish civilization. Her awards include AU’s highest faculty award, Scholar/Teacher of the Year (2007). Pamela Nadell’s books include America’s Jewish Women: A History from Colonial Times to Today (W.W. Norton, 2019), named Jewish Book of the Year by the Jewish Book Council. Reviewed in the New York Times, America’s Jewish Women was praised as “a welcome addition to the American historical canon.” Past president of the Association for Jewish Studies, Nadell’s other titles include Women Who Would Be Rabbis: A History of Women's Ordination, 1889–1985 (Beacon Press, 1998). She consults for museums including the National Museum of American Jewish History and the Milken Center for Advancing the American Dream. She lectures widely, frequently appears on podcasts, and has written for, among others, the Washington Post, The Conversation, and Hadassah Magazine. In 2017, she testified before Congress about antisemitism on college campuses. She is currently writing a history of antisemitism in America

Cornelius Bynum, Purdue University
African American History, Urban and Labor History
Cornelius L. Bynum is an Associate Professor of History and Director of the African American Studies and Research Center at Purdue University. His research focuses on progressive impulses among African Americans and authentic and independent strains of black radicalism in the early twentieth century. His publications include, A. Philip Randolph and the Struggle for Civil Rights, that explores Randolph’s thoughts about social justice and his civil rights activism and the co-edited volume, The Black Intellectual Tradition: African American Thought in the Twentieth Century, that examines the diverse thought behind the fight for racial justice that African American artists and intellectuals, performers and protest activists, institutions and organizations, and educators and religious leaders all waged together.

Robin Muncy, University of Maryland
Labor and Women’s History,
Robyn Muncy's scholarship and teaching focus on women, social policy, progressive social movements, and labor/working-class history in twentieth-century America. Her first book, Creating a Female Dominion in American Reform, 1890-1935, analyzes the role of professional and activist women in creating the U.S. welfare state. Her second volume, Engendering America, is a co-edited documentary history of gender in the U.S. since 1865. Her most recent book, Relentless Reformer: Josephine Roche and Progressivism in Twentieth-Century America, is a political biography of activist Josephine Roche, which analyzes America’s progressive reform tradition from the Progressive Era through the Great Society. It is part of the Politics and Society Series at Princeton University Press. While the early twentieth-century remains an important interest, post-World War II political culture and social policy have engaged Professor Muncy more recently. Examples include “The Strange Career of the “Working Class” in US Political Culture Since the 1950s” (Labor: Studies in Working-Class History, 2018); “Coal-Fired Reform: Social Citizenship, Dissident Miners, and the Great Society” (Journal of American History, 2009); and "Cooperative Motherhood and Democratic Civic Culture in Postwar Suburbia, 1940-1965," (Journal of Social History, 2004). Professor Muncy has become increasingly involved in public history projects. Most significantly, she guest curated an exhibit at the National Archives in Washington, DC titled Rightfully Hers: American Women and the Vote (open to the public from May 10, 2019 to January 3, 2021). Professor Muncy has made several appearances on broadcast media. She was a talking head for an episode of The Sixties, a 10-hour documentary broadcast on CNN in 2014. She appeared in Fire at the Triangle, a PBS documentary on the Triangle Shirtwaist Fire, which premiered on The American Experience in 2011. She was interviewed in The First Measured Century, another PBS documentary that first aired in 2000 and was subsequently excerpted for a DVD [The Idea Makers: The Women of Hull House (Princeton, NJ: Films for the Humanities and Sciences, 2004)] and an eVideo [The Women of Hull House: Harnessing Statistics for Progressive Reform (New York: Films Media, 2000)]. C-SPAN’s “Lectures in American History” broadcast one of her classroom lectures, “American Women Did Not Go Home After World War II: Women’s Labor Force Participation, 1945-2000,” which remains available on the C-SPAN web site as do several of Professor Muncy’s public lectures. She serves on the Board of Directors of the Labor and Working-Class History Association and is a contributing editor of Labor: Studies in Working-Class History.